Tony Kofi and the Organisation - 24.08.2019

Tony Kofi and the Organisation - 24.08.2019

  • £14.00


8pm – Tony Kofi and the Organisation - £14/12

 

Tony Kofi is a British Jazz multi-instrumentalist born of Ghanaian parents, a player of the Alto, Baritone, Soprano, Tenor saxophones and flute. Having 'cut his teeth' in the "Jazz Warriors" of the early 90's, award-winning saxophonist Tony Kofi has gone on to establish himself as a musician, teacher and composer of some authority. As well as performing and recording with Gary Crosby's "Nu-Troop" and "Jazz Jamaica", Tony's playing has also been a feature of many bands and artists he has worked/recorded with include "US-3" The World Saxophone Quartet, Courtney Pine, Donald Byrd, Eddie Henderson, The David Murray Big Band, Sam Rivers Rivbe Big band, Andrew Hill Big Band, Abdullah Ibrahim, Macy Gray, Julian Joseph Big band, Harry Connick JR, Byron Wallen's Indigo, Jamaaladeen Tacuma's Coltrane Configurations and Ornette Coleman.

 

The origins of the Organisation go back a over a decade and grew from Simon Fernsby’s memorable ‘Manhattan Project’ sessions which were a staple of jazz in South London throughout the 2000s. Drummer Pete Cater was an early recruit having been a jazz tutor on Fernsby’s music college course. The band went through several incarnations and with the addition of organist Pete Whittaker honed its no-nonsense, hard-hitting style as the house rhythm section in multiple venues, festivals and residencies. Throughout this time they worked with many of London’s leading jazz musicians but in spite of associations with several distinguished players did not become a regular quartet until a serendipitous meeting with saxophonist Tony Kofi in August 2010. This association with Tony was the result of a last minute dep at Kent jazz institution the Eagle Tavern, Tony fresh from recording with Ornette Coleman in New York. Playing both alto and baritone on the date there was an instant affinity between the players, the Organisation’s combination of both the Bluesy soul jazz side the Hammond canon, and their knowledge of the more modern post bop side of the repertoire (as typified by Woody Shaw’s “Moontrane”) working perfectly with Tony’s approach. It is to the credit of all the musicians that they have played a long game, developing their craft and style on the UK jazz circuit and the sounds you will hear are the sounds of a band who have put the hours in and held an ace in their collective hand until the moment to play it was just right.